I’m so thrilled to post the second installment of “Readers’ Design Dilemmas- Solved!”
Elaine Griffin continues to answer our readers’ most pressing design questions from our Design Rules book giveaway.

Enjoy all her fantastic advice!
Wondering how to know where to hang mirrors in living spaces?
- Beth
What are your thoughts on hanging a mirror over a mantle, where is it too high for someone to actually see any reflection in it? Should it be treated as art and just admired for its innate beauty, or is the whole point of a mirror to see a reflection?
-Sarah
Mirrors are in the Top 5 – no, make that the Hall of Fame! – of decorators’ sleight-of-hand tricks. They reflect the light (so locating one strategically near/opposite/catty-corner to a window[s] is always a do) and seem to visually increase the room size, too. And they’re also just plain cute, to boot. What’s not to like!!!
Think of framed mirrors by size and also shape. The statement-sized mirror (2 – 3 feet wide and up) is perfect above a significantly-sized item (sofa, dining room sideboard, etc.) or prime piece of interior real estate (above a mantle (no matter how high – you don’t need to actually see the reflection), at the end of a hall, in the foyer).
Round mirrors and sunburst mirrors can have either convex or flat surfaces; larger ones are great alone, and smaller ones in multiples of three or more (odd numbers always look best in multiples, dahling – an old merchandiser’s trick!).
Mirrors should be proportionately sized to the piece of furniture that sits below them – filling at least two-thirds of the space, as a rule (unless you’re combining a smaller mirror with other framed art, in which case it becomes just another piece of art in the vignette).
Horizontally-oriented mirrors rarely look great above mantles, BTW, because those spaces typically are vertically-shaped rectangles (although circles work well there, too).
Pier mirrors were traditionally stationed between windows in Georgian homes to increase the light. Another decorator trick, which works with any style interior, is to mirror the upper three sides of the recess of deeply-recessed windows – it triples your light.
I’m wild about the modern, oversized floor mirrors that Room & Board and Crate & Barrel have perfected! They’re great across from dining tables, in particular, and also across from windows.

What are the rules for mixing patterns? I always have trouble with this!
-Julie
Julie, if you think of mixing patterns in a room the same way you’d mix them in an outfit, it all becomes easier! The loudest pattern dominates (let’s say a big floral print, for example – and we’ll put it on the curtains). Adding a stripe is next somewhere (sofa? rug? chair?), but you should add only one – if you put it on the sofa, have a tone-on-tone texture (that means a solid color but with a texture woven into the fabric, or a two-tone motif woven into the fabric, like a damask) on a couple of armchairs adjacent to the sofa. You can add a fabric with a subtle motif as a contrast somewhere (like on little chairs or dining chairs) in there too – a check would be darlin’ (as we say in Dixie!), or something similar and subtle.
The rule for mixing patterns: one stripe, one floral, one plaid, one check in one room . . . but only ONE of these can dominate. After that, you can have ONE that’s second-in-command (visually speaking! LOL) after the Power Pattern. Everything else is discreetly complimentary to the first two.


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